Murray Grand

Marilyn Maye celebrates 96 years of song! Celebrate the iconic singer's birthday by catching one of her string of shows with dates April 9-12, 14, & 16-20, and May 2, 5, & 6, 2024. Read a conversation with Maye about the show, and get your tickets today!

They say laughter is the best medicine, and Lynda Rodolitz doses you up good in her latest show LYNDA RODOLITZ MAKES ART. The former stand-up comic come cabaret performer’s impeccable comic timing and delivery was on display at Don’t Tell Mama Tuesday night for the third out of four performances of the show, which has been masterfully directed by Lennie Watts.

Mar Nadler doesn’t perform cabaret; he IS cabaret.

Elena Bennett and Fred Barton have announced the return of their long-hailed 'Bennett & Barton Song Salon,' in the front room of Pangea, on two Tuesdays, April 11 and April 18. The event will run for three hours on each night, between 8:30pm and 11:30pm. There is no cover or minimum.

Critically acclaimed Actor/Singer, Barbara Bleier, returns to the intimate Pangea stage in a new solo show, “TOO OLD TO DIE YOUNG”

Elena Bennett and Fred Barton will debut their new show, 'We Know A Swing Or Two,' at Chelsea Table+Stage on Tuesday, February 7.

Read BroadwayWorld's interview with five-time Grammy nominee and two-time Emmy nominee Michael Feinstein, as he talks about his holiday concert run at Cafe Carlyle, through December 31st!

Vocalist and performer Anita Michael returns to the Laurie Beechman Theatre with her new show on Sunday, May 15, 2022 at 1:00 pm.

Vocalist and performer Anita Michael returns to the Laurie Beechman Theatre with her new show 'I'm a Certified Senior Citizen' on Thursday, April 2, 2020, Friday, April 3, 2020 at 7:00 pm and Sunday, April 5, 2020 at 1:00 pm. The Laurie Beechman Theatre at the West Bank Cafe is located at 407 West 42nd Street in Manhattan. There is a $20 cover and $20 food/beverage minimum per person. Tickets may be purchased on line at: https://web.ovationtix.com/trs/pe.c/10504599

Mendacity and half-truths abound in the new, critically acclaimed musical solo work from internationally renowned pianist-singer, Mark Nadler. The Old Razzle Dazzle: An Evening of Lies, Lying and Liars will bow at the Laurie Beechman Theatre this fall on Wednesdays, Sept. 11th, 25th and Oct. 23rd at 7pm, and Oct. 30th at 9:30pm. The Laurie Beechman Theatre is at 407 West 42nd Street, in the rear and downstairs at the West Bank Café. Tickets may be purchased online at: https://web.ovationtix.com/trs/pr/1008342. Tickets are $30, and there is a $20 food/beverage minimum per person.

May is the perfect month to unveil Spring Collection, internationally acclaimed West End and New York singing star Lorna Dallas' sparkling new show at Crazy Coqs.

Outside of an arena, few performers can earn a minutes-long ovation without even opening their mouths. But the inimitable Marilyn Maye is certainly one of those performers.

Urban Stages has confirmed the line-up for this year's award-winning series, WINTER RHYTHMS 2016, which will begin tomorrow, Thursday, December 1, and will feature some of New York's best musical performances through Sunday, December 11, 2016 at Urban Stages Theatre (259 West 30th Street, just East of 8th Avenue).

Last Sunday, New York's Birdland Jazz Club welcomed the third and fourth shows in Ann Hampton Callaway's This is Cabaret series that is subsequently aired on National Public Radio (check local listings for dates and times). As increased exposure is vital to the health of the art form, one can only applaud its emergence. Callaway's special guests (one in each hour segment) were jazz performer Kurt Elling and cabaret Goddess Marilyn Maye.

Do not miss these theatrical icons who make an evening to remember.

Back on April 1, when he posted his third compilation of delayed cabaret reviews from shows staged during the winter, BroadwayWorld.com's lead New York cabaret reviewer promised Number 4 would come with arrival of summer. Okay, so he missed his self-imposed deadline by a couple of weeks. but here's yet another catch-up column with critiques of a half dozen spring shows performed by Bryan Batt, Dawn Derow, Lynly Forrest, Dennis McNeil, Anastasia Barzee, and Nina Hennessey.

Expect the unexpected from cabaret stylist Patricia Racette. Yes, I said 'cabaret.' If you've only heard her at the Met or San Francisco Opera as Tosca or Madama Butterfly, you'll probably find her performance in 'Diva on Detour' a revelation. It's 'a high-note-free zone'--which doesn't give a hint that its owner spends most of her time on some of the world's great opera stages.

If you're a cabaret performer thinking about staging a musical comedy theme show, or even if you're just a cabaret fan who appreciates a thoroughly entertaining show on multiple levels, you should try to squeeze yourself into The Duplex on Wednesday night at 7 pm to see Adam Shapiro's encore performance of his Guide to the Perfect Breakup, which is also a textbook on how to create the almost perfect musical comedy cabaret show. With the guidance and support of Director Peter Napolitano and Musical Director Barry Levitt, Shapiro has crafted a structurally intricate yet seamless show about the evolution of romantic relationships-no matter what your gender-which is also funny without being sarcastic, biting without being bitchy, and tender without being cloying. And it showcases the talents of a cuddly teddy bear of a performer, who possesses the kind of solid singing, acting, and comedic chops that make him a young, rising cabaret star.

If you have a hankering to see a room full of grown-ups acting like those teenagers watching The Beatles on the Ed Sullivan show, then get thee to The Metropolitan Room, where Marilyn Maye is doing her traditional job of knocking 'em dead.